‘Mostly Mozart,’ the fine and the beautiful, and Darrel Ang
On many levels, a programming that stays within the territory of the First Viennese School is fiendishly difficult to pull off. The justification of the period relies heavily on the formulations and definitions put forward by scholars from Kiesewetter in the 19th century to Sandberger, Adler and Fischer during the musicological revolution of the 20th.
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